It does not have six colors, a legend, a drop shadow, or a title that just repeats the axis. It has one number, one accent, and one point. That restraint is a decision, and after this lesson it will be one you can make on command.
Good chart design is not adding polish. It is subtraction, done on purpose. The red pen removes; it almost never adds.
A working chart is the start, not the finish. Most working charts are also loud: they compete with themselves, three ideas fighting for the one accent. The red pen settles the fight. You will learn the four cuts, then hand them to the intern as a single rework instruction.
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